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Ladies.
Tall and slander. Delicate, subtle, stylish and concentrated.
Their elegance is surprisingly simple, their beauty a bit sad.
Or rather melancholic. Melancholic in sweet and charming way.
Delicate features- eyes and tall, smooth foreheads- are gothic,
mouths and face profiles shaped by the spirit of Renaissance.
Their hair can not be seen, covered with bonnets, caps or
something what makes me think about medieval hennin but neither
so sophisticated nor expensive. That’s why more noble.
Long necks, narrow and steep shoulders make them similar
to those of Joan Cennani or Simonett Vespucci. Plain
robes-cinnabar, carmine-brown, green without ornaments. Although
worn with dignity. Simple, natural dignity of Louis Tornabuoni
who walks eternity among Santa Maria Novella walls.
Big hands with long fingers. Once such hands were called
aristocratic. Or maybe it is better to say hands created for
holding musical instruments, protecting fragile stem of flower,
touching invisible silky fold. Or sometimes as it happens in the
easiest, natural way- to hang in midair, to freeze in
transparent, honey-blue air for a moment so brief and transitory
as the flutter of the butterfly wings, although wise, difficult
as eternity. Such moments are created for listening to sweet
sounds of lute or the melody of our own thoughts. They are good
for conversations with our souls or with angels. Cause angels,
stylish, subtle, concentrated, are their most proper companions. |
- Those
Ladies belong to the great line started by Laura and
Beatrice. They are younger sisters, friends and cousins
of Cecil Gallerani, Vittoria Colonny, Fornarina, Lavinia
Vecellio the long line of famous ladies from Milan,
Florence, Venice or Antwerp. And also of this unique
goddess in green, sculptured by wind robe, who dare to
step on the ground to pretend ordinary girl depicted on
the wings of one Cracovian lime tree altar. They are in
palaces and cathedrals. They occupy the land of stony
silence and nervous calmness.
Not long ago, I saw them in the pictures of Magda
Snarska.
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Katarzyna Mlynarczyk
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